Well i did some research today about the movie X-MEN ORIGINS: WOLVERINE, because my sister brought home it and their was like alot of scenes where you would see cables attached to wolverine and the other, plain graphics, bad pixs, its was like a beta.
Their were several parts where it had red lines outlining where errors are and script errors are lol, but over all the movie was best
Read About The leak Info
Their were several parts where it had red lines outlining where errors are and script errors are lol, but over all the movie was best
Read About The leak Info
Today an unwatermarked, time code free workprint of X-Men Origins: Wolverine leaked on the internet. Within hours thousands of people had a version of the upcoming Fox release, and once a file like this is in the wild it can never be fully brought back in.
I got in touch with a friend of mine who works in a post-production facility here in Los Angeles and he seemed to think my question was funny. "I'm surprised this doesn't happen more often," he said.
While studios bend over backwards to police film critics at press screenings (I've become used to security guards with night vision lenses staring at me while I'm watching a movie), the post-production process is apparently porous. Burned DVDs are swapped around with aplomb in this world; in fact I was told that the Wolverine DVD was switching hands for the last couple of weeks. It's hard to nail down where in the post-production process the Wolverine leak originated; it could have been someone working in digital FX, someone working on the titles, or even someone working on the trailer. Hell, it could be somebody working on the DVD release, for that matter.
My source told me stories of people blithely taking home DVDs of major upcoming studio blockbusters - some with watermarks, some without - so that they wouldn't have to work overtime at the office. And it's not just the honchos who have this access. My source told me about interns bringing DVDs home to watch with their friends. Even he seemed incredulous about the lackadaisical security at most of these post-production houses.
I've experienced some of this stuff first hand. I had someone from a post house meet me at a coffee shop and show me the Cloverfield trailer on a laptop. I've had files emailed to me that are clearly watermarked with post house names. I know a filmmaker who had his film pirated in the post-production stage, and who managed to nail the guy who was handing out DVDs to his friends. And I've come across some of these DVDs myself, although I never knew that they were so rampant.
Post isn't the only source of major leaks; these days getting a script to an unmade movie isn't even a badge of insider honor. They seem to be available to anyone who wants them. Someone told me that the security on the script for Cabin in the Woods was so tight no one would get it. Just to prove him wrong I got it three days later. I don't say that to boast but to explain how lax security is on the script end; once something hits an agency, PDFs of it may as well be deposited in the mailboxes of the biggest movie site writers. But while that's a problem - the mass leak of the script to Quentin Tarantino's Inglorious Basterds being one example - it's not half as damaging as the leak of an actual movie. Very few people will read a script. Many more will watch a DIVX file.
I have a feeling that the Wolverine leak is the tip of the iceberg. My source tells me that he suspects the person who leaked it may have been motivated by a grudge against the house where they work - perhaps someone who has been laid off or had his hours reduced (although to be fair he did also say that it's just as likely that this leak came from a dumb intern who simply made a copy for a friend. My friend has no actual knowledge of the particulars of this specific leak). The ease with which a DVD can be ripped and disseminated makes it child's play, and the ubiquity of laptops make it simpler and simpler for someone to rip a movie without even taking the disc off premises. Studios can keep being worried about someone sneaking a Flip camcorder into a press screening, but the real problem is right in their own system. So far they've been amazingly lucky, but how long can that luck hold out?
I got in touch with a friend of mine who works in a post-production facility here in Los Angeles and he seemed to think my question was funny. "I'm surprised this doesn't happen more often," he said.
While studios bend over backwards to police film critics at press screenings (I've become used to security guards with night vision lenses staring at me while I'm watching a movie), the post-production process is apparently porous. Burned DVDs are swapped around with aplomb in this world; in fact I was told that the Wolverine DVD was switching hands for the last couple of weeks. It's hard to nail down where in the post-production process the Wolverine leak originated; it could have been someone working in digital FX, someone working on the titles, or even someone working on the trailer. Hell, it could be somebody working on the DVD release, for that matter.
My source told me stories of people blithely taking home DVDs of major upcoming studio blockbusters - some with watermarks, some without - so that they wouldn't have to work overtime at the office. And it's not just the honchos who have this access. My source told me about interns bringing DVDs home to watch with their friends. Even he seemed incredulous about the lackadaisical security at most of these post-production houses.
I've experienced some of this stuff first hand. I had someone from a post house meet me at a coffee shop and show me the Cloverfield trailer on a laptop. I've had files emailed to me that are clearly watermarked with post house names. I know a filmmaker who had his film pirated in the post-production stage, and who managed to nail the guy who was handing out DVDs to his friends. And I've come across some of these DVDs myself, although I never knew that they were so rampant.
Post isn't the only source of major leaks; these days getting a script to an unmade movie isn't even a badge of insider honor. They seem to be available to anyone who wants them. Someone told me that the security on the script for Cabin in the Woods was so tight no one would get it. Just to prove him wrong I got it three days later. I don't say that to boast but to explain how lax security is on the script end; once something hits an agency, PDFs of it may as well be deposited in the mailboxes of the biggest movie site writers. But while that's a problem - the mass leak of the script to Quentin Tarantino's Inglorious Basterds being one example - it's not half as damaging as the leak of an actual movie. Very few people will read a script. Many more will watch a DIVX file.
I have a feeling that the Wolverine leak is the tip of the iceberg. My source tells me that he suspects the person who leaked it may have been motivated by a grudge against the house where they work - perhaps someone who has been laid off or had his hours reduced (although to be fair he did also say that it's just as likely that this leak came from a dumb intern who simply made a copy for a friend. My friend has no actual knowledge of the particulars of this specific leak). The ease with which a DVD can be ripped and disseminated makes it child's play, and the ubiquity of laptops make it simpler and simpler for someone to rip a movie without even taking the disc off premises. Studios can keep being worried about someone sneaking a Flip camcorder into a press screening, but the real problem is right in their own system. So far they've been amazingly lucky, but how long can that luck hold out?
